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The Yellowjackets are getting ready for their final chapter. With the fourth and final season of the Emmy-nominated survival thriller series set to premiere next month, Paramount+ has released an official teaser trailer offering fans a new look at the upcoming episodes. You can watch the Yellowjackets season 4 trailer in the embed above!

Created by Ashley Lyle and Bart Nickerson, Yellowjackets follows a talented high school girls soccer team whose lives are changed forever when their plane crashes in the remote northern wilderness. Stranded far from civilization, the survivors struggle to stay alive as their group dynamic deteriorates and increasingly brutal behavior takes hold.

The series also follows the survivors nearly 25 years later, as they attempt to build lives in the aftermath of their ordeal while keeping the darkest secrets of their time in the wilderness buried. Blending survival drama, psychological horror, and coming-of-age storytelling, Yellowjackets has spent three seasons exploring the lasting consequences of the crash and the disturbing choices made by those who survived it.

Season 4 will bring that story to its conclusion. Paramount+ previously announced that the final season will premiere on Friday, November 20, exclusively for subscribers with the Paramount+ Premium Plan.

Yellowjackets Season 4 Cast

The returning cast includes Melanie Lynskey, Christina Ricci, Tawny Cypress, Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Samantha Hanratty, Courtney Eaton, Liv Hewson, Warren Kole, Kevin Alves, Sarah Desjardins, Nia Sondaya, and Jenna Burgess.

Hilary Swank will also appear in the final season, while previously announced additions include Molly Ringwald and June Squibb. Elijah Wood is also set to return as Walter.

Yellowjackets is executive produced by Ashley Lyle and Bart Nickerson, who also serve as showrunners. Jonathan Lisco, Drew Comins, Jeff W. Byrd, Sarah L. Thompson, Ameni Rozsa, and Julia Bicknell also executive produce. The series is produced for SHOWTIME by Lionsgate Television and distributed by Paramount Global Content Distribution.

With season 4 marking the end of the series, fans will finally get to see how the story of the stranded soccer team and the survivors’ complicated lives in the present comes to a close. Are you looking forward to the final season of Yellowjackets? Take a look at the trailer, then let us know in the comments below!

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The Swamp Thing movie James Mangold is developing for DC Studios is still moving forward, with co-CEO Peter Safran confirming that the screenplay is being written.

It has been a long time since Mangold was announced as the writer and director of Swamp Thing, one of the first projects revealed for the DC Universe being built by James Gunn and Peter Safran. There haven’t been many updates on the film since then, but Safran has now offered a fresh indication that the project remains in development.

Speaking to Deadline on the red carpet at the premiere of Clayface, Safran confirmed that work on the Swamp Thing screenplay is ongoing.

“We’re working on it, absolutely,” Safran told the outlet. “The script is being written as we speak. But it’s something we’re excited about. All these things take time – when you’ve already got a filmmaker involved, you’ve got to wait for their window [of availability] as well.”

Peter Safran confirms the James Mangold ‘Swamp Thing’ film is still a go at DC Studios: “We’re working on it… The script is being written as we speak” pic.twitter.com/tlJzxv9DSi

— Deadline (@DEADLINE) October 14, 2026

Safran’s comments are encouraging news for anyone waiting to see Mangold’s take on the DC Comics character. However, they don’t establish a production start date, and DC Studios has yet to announce when the movie might reach theatres. The comments also don’t directly confirm whether Mangold is currently writing the screenplay himself, although Mangold said four years ago that he was working on the script.

Mangold’s credits include Logan, The Wolverine, Ford v Ferrari, and Indiana Jones and the Dial of Destiny. He has previously described his vision for the project as a standalone horror movie, rather than a story that needs to connect extensively with the wider DC Universe.

“With other kinds of IP, it gets to a religious level. While I’m sure DC views Swamp Thing as a franchise, I would be viewing it as a very simple, clean, Gothic horror movie about this man/monster… Just doing my own thing with this, just a standalone.”

Mangold has also said he had been thinking about making “a kind of Frankenstein movie” for years. When he learned that Gunn and Safran were taking charge of DC’s film and television adaptations at Warner Bros., he contacted them about making Swamp Thing. The film was announced as part of the first chapter of the new DC Universe, titled Gods and Monsters. Even so, Mangold’s stated intention to approach the material as a self-contained Gothic horror story could give the project a distinct identity within the developing franchise.

This wouldn’t be the first live-action adaptation of Swamp Thing. Wes Craven directed the 1982 feature film, which was followed by Jim Wynorski’s The Return of Swamp Thing in 1989. More recently, a live-action series produced by James Wan’s Atomic Monster premiered in 2019, offering a darker take on the character.

For now, Safran’s comments provide a welcome update, but the film remains in development, with no announced release date or production timeline. We’ll have to wait and see when Mangold’s schedule allows him to bring his version of the Swamp Thing story to the screen.

Are you looking forward to seeing James Mangold write and direct a standalone Swamp Thing horror movie? Let us know in the comments below.

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The first reactions to Clayface are in, and it sounds like DC Studios is getting ready to unleash an entertainingly gruesome comic book movie. Directed by James Watkins (Speak No Evil) from a screenplay by Mike Flanagan (Carrie) and Hossein Amini (Drive), the R-rated horror film puts Batman villain Clayface in the spotlight for a story that promises plenty of blood, gore, and disturbing body horror.

With Clayface set to reach theatres on October 23, the first social media reactions are offering a taste of what audiences can expect. The response has been largely enthusiastic, with several viewers praising star Tom Rhys Harries, the film’s graphic horror sequences, and its willingness to take the DC Universe in a darker direction.

Clayface First Reactions Praise the DCU Horror Movie’s Gore

Steven Weintraub of Collider was particularly enthusiastic about Clayface:

Clayface was fantastic. An awesome addition to the DCU that doesn’t require any knowledge of DC to enjoy.

It’s a hard R and loaded with brutal scenes that really surprised me. Audience freaked out a few times during my screening to what was being depicted on screen.

Strong… pic.twitter.com/FcSmdPWZ0N

— Steven Weintraub (@colliderfrosty) October 14, 2026

Chris Killian was equally impressed, praising the film’s combination of gruesome body horror and a tragic character story.

CLAYFACE is incredible! It molds Matt Hagen’s tragic backstory into a wildly gory spectacle. There are some crazy unique body horror moments that’ll make you squirm, but what I loved most is it’s also a heartfelt throwback to a bygone era of classic gothic romance films. (1/2) pic.twitter.com/WrkuT2yzOs

— Chris Killian (@chriskillian) October 14, 2026

Tom Rhys Harries Earns Praise for Playing Matt Hagen

Tom Rhys Harries stars as Matt Hagen, the aspiring Hollywood leading man whose life takes a devastating turn after a crime boss leaves him horribly disfigured. An experimental treatment offers him a chance to recover his appearance, but its unexpected consequences begin to affect both his body and his grip on reality.

Peter Gray praised Harries’ performance, highlighting the actor’s ability to balance the character’s charm with menace.

#Clayface has that comic book flair but that theatricality doesn’t diminish how BRUTAL it is! Dark, violent, with little levity to offset the nastiness, this is an exciting addition to Gunn’s DCU. Tom Rhys Harries brings equal boyish charm and quiet menace to the role. pic.twitter.com/dlBUKFORPL

— Peter Gray (@ratedPDG) October 14, 2026

Shahbaz of The Movie Podcast also singled out Harries’ performance and the body horror as highlights.

#CLAYFACE: the body horror and Tom Rhys Harris's performance are genuinely excellent, but the story and some bizarre choices make this an odd third entry for a DCU still finding its identity. There's a lot to love here, even if not all of it works. pic.twitter.com/VsAFVn3j1w

— Shahbaz • The Movie Podcast (@shayhbaz) October 14, 2026

Clayface Could Be a Major New Direction for the DCU

One particularly enthusiastic reaction came from Maddy Filmgal, who called Clayface one of the best DCU projects by a considerable margin.

#Clayface is one of the best DCU projects by a landslide. Brilliant story and character moments. This is made with love. It setups up for BIG things to come in the most exciting way I seen since 2025. Bring your tissues but not because it’s a sad movie. pic.twitter.com/brdFSEDgqG

— ☆ haunted star⋆⭒˚.⋆ (@maddyfilmgal) October 14, 2026

Obviously, nothing works exactly the same for everyone:

I don’t know what DC Studios was thinking. They sold this as a deep, tragic "body horror" movie, but it just felt like a cheap knockoff of The Fly and The Substance with a DC skin slapped on it.#Clayface pic.twitter.com/E5zqFksrnt

— ໊ (@random_stuff_x_) October 14, 2026

#clayface is everything you want from a villain led movie. No more anti hero Bs, DC understands that tragic Villains can exist. I was harsh with Lanterns and Supergirl so I went into this movie excited, but nervous. This movie reminds you why Batman villains are different. pic.twitter.com/9ukhKhfGnj

— Conor (@Conorville08) October 14, 2026

DC Studios co-head James Gunn has previously described Clayface as a “complete horror film.” The project originated with Mike Flanagan, whose take on the character was compelling enough to convince Gunn to move forward with the movie, even though Flanagan ultimately couldn’t direct it. James Watkins took over as director.

The film has also received an R rating for strong bloody violence, gore, language, some nudity, and brief drug use.

When Does Clayface Come Out?

Clayface arrives in theatres on October 23, 2026. Tom Rhys Harries stars as Matt Hagen, with Naomi Ackie, Max Minghella, David Dencik, Eddie Marsan, Nancy Carroll, and Joshua James among the supporting cast.

Based on these first reactions, Clayface could offer DC fans a nasty combination of tragic character drama and disturbing body horror. Whether it ultimately works as a new chapter in the DCU remains to be seen, but the early responses suggest that audiences should prepare for something a bit more gross and unsettling than a typical comic book movie.

Are you looking forward to seeing Clayface when it hits theatres on October 23? Let us know by leaving a comment below.

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Blumhouse Atomic Monster’s latest movie, Other Mommy, topped the box office this weekend despite some of the worst reviews of the year. Audiences didn’t seem to like it much either, giving it an abysmal D+ CinemaScore rating. But it will make the studio some solid coin, and no doubt they’re hoping for lightning to strike twice, with them choosing the same weekend in 2027, October 8th, to launch their next movie, Sleepover.

The film comes from some Blumhouse regulars, with it directed by Insidious: Out of the Further’s Jacob Chase, who co-wrote the script with Night Swim’s Bryce McGuire. So far, the premise is under wraps, but Variety is revealing that it will star none other than indie darling Parker Posey. Recently seen in Beau Is Afraid and the most recent season of The White Lotus, and also having a role in the upcoming Wild Horse Nine, Posey is a great choice to lead a movie like this. Hopefully, it will deliver higher-caliber scares than Other Mommy did, which relied on a lot of cheap jump scares.

Blumhouse has a packed twelve months ahead of them. Before the end of the year, they’ll release Violent Night 2, starring David Harbour, which is a rare action flick for the studio. They’ll go back to horror on January 15th with River, which we saw and enjoyed at TIFF. Other highlights include The Exorcist: Martyrs, which is out March 12th, and their reteam with Obsession’s Curry Barker, Anything But Ghosts. They also have reboots of Paranormal Activity and The Blair Witch Project in the works for 2027, in addition to more non-franchise titles. Will Sleepover be a highlight? We’ll have to wait and see, but either way, it will likely make them plenty of dough!

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One of the biggest breakout series in the genre space over the last few years has to be From. Created by John Griffin, the show, which premiered in 2022, initially had a low-key premiere as an Epix original, only for it to become an unlikely hit with critics and audiences. It ended up becoming one of the flagship shows of the rebranded MGM+ streaming service, with its run set to wrap up with a fifth and final season sometime next year.

Now, perhaps in a bid to grow the show’s audience, MGM+ is licensing the series to Netflix, with the first three seasons set to stream on October 19th for a limited time. In the old days, shows such as Breaking Bad grew their audiences exponentially when they went on Netflix, but in the increasingly fractured streaming space, this has become increasingly rare, as most streamers hold on to their own shows.

Yet, things have started to open up, with streamers realizing that they can profit by licensing a show while also potentially growing its viewership. With Netflix still the biggest streaming platform on the planet, such a move certainly makes sense.

From stars Harold Perrineau as Boyd Stevens, the sheriff of a nightmarish town that traps residents as they enter. The series has long been a favorite of ours on the site, with our interviews with the cast always doing well in terms of views. It will be interesting to see if From‘s licensing to Netflix ends up growing the show’s profile, with many believing that were it on a bigger streaming service, its viewership would be huge. Although, one would imagine MGM+ would license it to Amazon Prime Video, with the channel being a subsidiary of that company. Internationally, its streaming rights are complicated, with it being a Paramount+ show in Canada. No word yet on whether or not it will now be available on Netflix in Canada in addition to the US.

Will you be checking out From now that it’s going to be streaming on Netflix? Let us know in the comments.

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There’s something about those horror movies I grew up watching in the ’90s that just hits differently. Kids found themselves in genuine danger, the monsters were frightening, and Halloween fun could turn nasty at any moment. One of my favorite Halloween movies is still Ernest Scared Stupid. Sure, that movie leans into comedy, but I’ve always loved its atmosphere. Watching R.L. Stine’s Pumpkinhead, I got some of those same cozy feelings.

Last year’s R.L. Stine’s Pumpkinhead was a fun throwback to that era of horror. Thankfully, the sequel captures that feeling without simply repeating the original. We’re back in Redhaven, where Sam (Bean Reid) and Becka (Adeline Lo) face another terrifying curse. This time, the mythology grows, the danger intensifies, and a familiar face joins the festivities.

That would be horror icon Cassandra Peterson, whom most of us know and love as Elvira, Mistress of the Dark. Peterson plays a mysterious witch named Cassandra, who might hold the key to saving Redhaven. Seeing someone I grew up watching step into an R.L. Stine story is pretty damn cool. And she seems right at home in this world.

I recently sat down with Peterson and writer-director Jem Garrard to talk about the film. Garrard has been on quite a roll with Tubi, delivering Slay, Takeout, and the recent Buzzkill. What interested me most was how they approached the sequel after the first movie’s unexpectedly bleak ending. That finale didn’t exactly leave things on a cheerful note. So, where could Sam’s story possibly go from there? And how do you follow an ending like that without simply repeating yourself?

We also talked about the movie’s wonderfully old-school approach to kids-in-peril horror. Some of its atmosphere reminds me of discovering a creepy movie on VHS during an October weekend in the ’90s. Garrard shared what drew them to that nostalgic feeling and how they brought it into a modern setting.

As for Peterson, I wanted to know how she approached playing a witch who just happens to share her name. Our conversation led to a pretty funny behind-the-scenes story. I’ll leave the details for the interview itself. After all, getting to talk with a horror legend I’ve watched since childhood was a treat.

And it looks like Redhaven isn’t going anywhere. Tubi recently announced that Garrard will write and direct R.L. Stine’s Afraid of Clowns. Like Pumpkinhead, it comes from Stine’s 1999 Nightmare Hour collection. The new film will also take place in Redhaven, giving the town an entirely different nightmare to face. Tubi plans to release it in 2027.

But Tubi isn’t stopping there with R.L. Stine. The streamer also recently announced R.L. Stine’s The Babysitter, an adaptation of the author’s four-book series. Those books ran from 1989 to 1995. Garrard will write the screenplay, while Trevor Calverley will direct. That film also has a planned 2027 release. Between these projects, Tubi is becoming quite the home for Stine’s particular brand of horror.

For now, though, we’ve got Pumpkinhead 2. It’s a fun reminder of why so many of us fell in love with this kind of horror. Check out my interview with Jem Garrard and Cassandra Peterson above. We talk about the sequel, its nostalgic influences, and bringing a new witch into Redhaven.

R.L. Stine’s Pumpkinhead 2 is now streaming exclusively on Tubi.

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Of all the movies I saw at Cannes this year, the one that surprised me the most was Na Hong-jin’s Hope. While I wouldn’t quite call it the best movie I saw there, it probably was the most entertaining, as when you go to a festival like that, you don’t necessarily expect a movie with aliens, insane car chases, and shootouts to be on the menu—and going into the screening, the only info that had been revealed was a single still image. It’s a shame audiences worldwide didn’t get to have the same experience.

Neon picked up Hope for U.S. distribution, but sadly, it passed pretty much under the radar, making $8.1 million (although it’s still the third-highest-grossing Korean movie of all time domestically). It was a bigger hit in South Korea, with its worldwide box office at $46 million—although it remains to be seen if that will be enough to get the sequel they tease at the end of the movie made.

At any rate, if you missed Hope in theaters, it hits digital retailers today. If you’re waiting on a physical release, we have those details too, with it set for a December 22nd release. Sadly, only conventional Blu-ray has been announced so far—which is criminal, as this movie demands a 4K release. Here are the specs:

• DOLBY ATMOS AUDIO TRACK
• Interview with writer and director Na Hong-jin
• Conversation with Na Hong-jin and Kim Jee-woon
• Conversation with Na Hong-jin and Bong Joon-ho
• Behind the Scenes of Hope — Featurette
• Original Teasers and Trailers
• Optional English SDH and Spanish subtitles for the main feature

While I’m happy it’s coming out on Blu-ray, I must admit that the lack of a 4K release is puzzling, making me think that someone else is going to put out a more elaborate version in the future. Perhaps your best bet is to either wait for streaming or maybe buy the digital release (which is in 4K) when it gets knocked down a bit in price.

Did you see Hope? Let us know what you thought.

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